Maleficent

Maleficent retells Disney's own 1959 film from the antagonist's side, and it is specifically that film rather than the tale: the character does not exist in Perrault, the name is Disney's, and the horned silhouette being reused is Marc Davis's design. The retelling inverts the source at its central points. The curse is given a motive the 1959 film does not supply, the three good fairies become incompetent rather than protective, and the kiss that breaks the spell is not the prince's. It is a reading of the earlier film, which is why it only works if you already know it.

The slighted fairy who curses an infant at her christening is Perrault's invention and has no name in his text. Maleficent takes that figure, gives her the name Disney gave her in 1959, and retells the tale from inside her, keeping the christening, the spindle and the sleep while replacing the motive entirely. It is the clearest case on the map of a villain origin built on a source where the villain has no interior at all.